The Livestream Experts
TLE-001 · CAM 1/6 · 4KEST. BROOKLYN, NYCSINCE 2004
You only get one take.
It’s our 751st.
Multi-camera live production for conferences, galas, launches, and performances — directed, switched, and streamed to every platform at once. Twenty years of film and broadcast crews, pointed at the night that can’t be reshot.
Free 20-min call · no pitch
GE · United Nations · Spotify · ACLU
The full signal chain, end to end
Tap “take to PGM” to bring any input to program. One crew, one workflow, from camera to cloud.
Your gear, your venue’s, or ours. Take the whole package or drop us into the one seat your team can’t fill. Full spec sheets and process for each capability.
View all six capabilities ↗
Multi-camera with real-time graphics, branding, and seamless transitions, cut live to any source.
- Professional multi-camera
- Real-time graphics & lower-thirds
- Remote presenter integration
Six feeds. One standard.
From sold-out rooms to once-in-a-lifetime moments: a multiviewer of what we put on air.
The rundown
Five cues from first call to final delivery. The same discipline on every show.
What you’re actually buying
Not a rate card, just the shape of a typical show, so you can tell early whether we're the right fit.
- 01Three to four operated cameras, cinema or PTZ
- 02Live switching with branded graphics and lower-thirds
- 03A dedicated broadcast audio mix, separate from the room
- 04Simulcast to your platforms, each feed optimized for its destination
- 05A full technical rehearsal the day before
- 06Archival masters and ISOs delivered within 24 hours
Every show is scoped to the room. Fewer cameras for an intimate benefit, a full broadcast package for a multi-day conference. The standard doesn't move, the shape does.
Smaller single-camera shows start around $4k. Under that we're not the right call, and we'll point you to someone who is.
Free 20-min call · no pitch
Streaming before streaming.
This practice started in Brooklyn in 2004, under a different name. For sixteen years Iris MediaWorks made commercials, feature films, and branded content. And, long before the platforms made it ordinary, webcasts.
In 2020 we rebuilt the whole practice around the work that had quietly become the most interesting thing in the building: events that only happen once. Same crew instincts, same cinema grammar, same Brooklyn.
Run by operators, not salespeople
Two decades of feature-film and broadcast craft, brought to live streaming.
“I would trust Patrick with my life. He is so on top of the most complex production I’ve ever done that my anxieties were calmed. He is a bonafide pro and a pleasure to work with.”
The questions that actually come up
The seven things people ask on the first call, answered here so you don't have to spend the call on them.
01What happens if the venue's internet fails?
We plan for it. Shows run on redundant encoders with a backup connection path, and multi-destination delivery fails over automatically. Venue internet is the single most common point of failure at live events, so we never rely on it alone.
02We already have an AV team, or our venue has its own cameras.
Then we work with what's there. We're happy to use our cameras, your cameras, or the venue's, and we can take a mixed feed from your AV team rather than duplicating their audio. Most productions are some mix of ours and yours; you're not obligated to take the whole package.
03How far in advance do we need to book?
Two weeks is workable for a straightforward single-room show: first call at T–14, planning by T–10, and rehearsal the day before. Multi-day conferences and anything needing a site visit want more. If your date is sooner than that, ask anyway; it depends what else is on the calendar.
04Do we get the raw footage, or just the stream?
Both. You get archival masters and the individual camera ISOs delivered to your asset library, so your team can cut from them later. If you'd rather not, we can handle editorial and deliver highlight reels, speaker cut-downs, and social clips instead.
05Can the stream be private, gated, or ticketed?
Yes. We deliver embed-ready private players for ticketed and gated streams, on your own site or a custom one, as well as to the public platforms. Plenty of shows run both a public feed and a private one at the same time.
06Can you deliver vertical video for social?
Yes, and simultaneously with the horizontal program rather than as an afterthought. We can also cut vertical reframes for Reels, Shorts, and TikTok in post, plus real-time social clips during the event itself.
07What does a production cost?
Most productions run $8–20k per day, depending on camera count, crew size, and how many days you need us. Smaller single-camera shows start around $4k. Under that we're not the right call, and we'd rather say so than take your money. We'll point you to someone who fits.
Ready to
go live?
You get Patrick, twenty minutes, and an honest answer about what your show actually needs, including when that’s less than you were planning to spend.